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– Thomas Quinn Curtis, International Herald-Tribune Who can resist him with his world-weary nonchalance and his incipient brutality? He is a hero of our times.”

“Delon is at home in the shadowy underworld of dubious nightclubs and shady hotels, has an easy way with gangsters’ molls, is quick on the trigger and given to beating up suspects when they are dragged to headquarters. “Chilling perfection! The opening bank robbery (pale Hokusai lighting, blue sleekness and seaside melancholy, trenchcoats, masks) an entire oeuvre… Everything points to the disintegration of Melville’s loyalty motif, honor all but evaporated from both sides of the game.” Melville’s final work features iconic minimalist performances from the star trio and two trademark heists, the first a near-wordless bank job on a deserted, bleakly rain-sodden seaside street.

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TV star and Rambo’s mentor) both love Catherine Deneuve – only trouble is, one’s a post-burn-out cop and the other’s bent on the heist of a lifetime.

(1972) Piano-playing Alain Delon and nightclub owner Richard Crenna (U.S.